Room Ratio & Calculated Wavelength Reference + Live 3D Eigenfrequency Solver
Small Room Axial/Tangential/Oblique Standing-Wave Mode, Schroeder Frequency & 38% Listening Geometry Planner
Enter your room’s length, width, and ceiling height below (in meters or feet) to solve Lord Rayleigh’s 3D rigid-wall standing-wave equation (f = (c/2)·√((nx/L)² + (ny/W)² + (nz/H)²)), compute your Schroeder modal crossover frequency (f_s = 2000·√(RT60/V)), explore the 38% front-wall listening starting point and 60° equilateral monitor coordinates, and calculate Speaker-Boundary Interference Response (SBIR) quarter-wave cancellation nulls.
Room modes, listening geometry & boundary reflections
Model a rectangular room from 20 to 300 Hz. All three mode classes are included. The 38% listening position is a starting point for measurements, not a guaranteed optimum.
Calculated model outputs
Height : width : length: 1.00 : 1.39 : 1.90 · Volume: 38.7 m³
Speed of sound: 343.2 m/s · Schroeder crossover: 190.1 Hz
Fundamental axial modes: length 36.9 Hz · width 50.5 Hz · height 70.0 Hz
Front-wall quarter-wave approximation: 156.0 Hz · next odd-order null 468.0 Hz
Quarter wavelength at 100 Hz: 0.86 m. This is a reference distance, not a required panel air gap.
Symmetric 60° listening triangle
Listener: 1.77 m from the front wall and 1.70 m from either side. Speaker span: 1.41 m; each speaker is 1.00 m from its nearest side wall.
Speaker fronts are at the entered front-wall distance. Speaker and ear heights are equal. The speaker span equals each speaker-to-listener distance.
Boundary reflections at the listening position
Ideal image-source estimates for one speaker (the other is symmetric): f = c / (2 × Δpath). These account for the listening triangle, so the front-wall result can differ from c / (4d). Reflection strength, phase changes, and the rear wall are not modeled.
On narrow screens, swipe the table horizontally to see all columns.
| Boundary | Extra path (m) | First null (Hz) | Next null (Hz) |
|---|---|---|---|
| Front wall | 1.016 | 168.9 | 506.8 |
| Nearest side wall | 1.554 | 110.4 | 331.3 |
| Floor | 1.376 | 124.7 | 374.2 |
| Ceiling | 1.463 | 117.3 | 352.0 |
Model context: Genelec monitor placement and wall reflections. Compare estimates with measurements in your room.
All room modes from 20–300 Hz
Frequency spacing alone does not predict peak amplitude or decay. Gaps refer to the preceding mode across all classes, including modes on previous pages.
On narrow screens, swipe the table horizontally to see all columns.
| Mode (nx, ny, nz) | Class | Frequency | Wavelength | Gap (all classes) | Spacing |
|---|---|---|---|---|---|
(1, 0, 0) | Axial | 36.9 Hz | 9.30 m / 30.5 ft | — | First mode in this frequency band |
(0, 1, 0) | Axial | 50.5 Hz | 6.80 m / 22.3 ft | 13.57 Hz | — |
(1, 1, 0) | Tangential | 62.5 Hz | 5.49 m / 18.0 ft | 12.05 Hz | — |
(0, 0, 1) | Axial | 70.0 Hz | 4.90 m / 16.1 ft | 7.52 Hz | — |
(2, 0, 0) | Axial | 73.8 Hz | 4.65 m / 15.3 ft | 3.77 Hz | — |
(1, 0, 1) | Tangential | 79.2 Hz | 4.34 m / 14.2 ft | 5.36 Hz | — |
(0, 1, 1) | Tangential | 86.3 Hz | 3.98 m / 13.0 ft | 7.16 Hz | — |
(2, 1, 0) | Tangential | 89.4 Hz | 3.84 m / 12.6 ft | 3.08 Hz | Close spacing (<4%) |
(1, 1, 1) | Oblique | 93.9 Hz | 3.66 m / 12.0 ft | 4.47 Hz | — |
(0, 2, 0) | Axial | 100.9 Hz | 3.40 m / 11.2 ft | 7.05 Hz | — |
(2, 0, 1) | Tangential | 101.8 Hz | 3.37 m / 11.1 ft | 0.81 Hz | Close spacing (<1.5 Hz) |
(1, 2, 0) | Tangential | 107.5 Hz | 3.19 m / 10.5 ft | 5.73 Hz | — |
(3, 0, 0) | Axial | 110.7 Hz | 3.10 m / 10.2 ft | 3.23 Hz | Close spacing (<4%) |
(2, 1, 1) | Oblique | 113.6 Hz | 3.02 m / 9.9 ft | 2.87 Hz | Close spacing (<4%) |
(3, 1, 0) | Tangential | 121.7 Hz | 2.82 m / 9.3 ft | 8.09 Hz | — |
(0, 2, 1) | Tangential | 122.9 Hz | 2.79 m / 9.2 ft | 1.19 Hz | Close spacing (<1.5 Hz) |
(2, 2, 0) | Tangential | 125.1 Hz | 2.74 m / 9.0 ft | 2.19 Hz | Close spacing (<4%) |
(1, 2, 1) | Oblique | 128.3 Hz | 2.68 m / 8.8 ft | 3.24 Hz | Close spacing (<4%) |
(3, 0, 1) | Tangential | 131.0 Hz | 2.62 m / 8.6 ft | 2.72 Hz | Close spacing (<4%) |
(0, 0, 2) | Axial | 140.1 Hz | 2.45 m / 8.0 ft | 9.08 Hz | — |
(3, 1, 1) | Oblique | 140.4 Hz | 2.44 m / 8.0 ft | 0.31 Hz | Close spacing (<1.5 Hz) |
(2, 2, 1) | Oblique | 143.3 Hz | 2.39 m / 7.9 ft | 2.93 Hz | Close spacing (<4%) |
(1, 0, 2) | Tangential | 144.9 Hz | 2.37 m / 7.8 ft | 1.54 Hz | Close spacing (<4%) |
(4, 0, 0) | Axial | 147.6 Hz | 2.33 m / 7.6 ft | 2.75 Hz | Close spacing (<4%) |
(0, 1, 2) | Tangential | 148.9 Hz | 2.30 m / 7.6 ft | 1.28 Hz | Close spacing (<1.5 Hz) |
(3, 2, 0) | Tangential | 149.8 Hz | 2.29 m / 7.5 ft | 0.92 Hz | Close spacing (<1.5 Hz) |
(0, 3, 0) | Axial | 151.4 Hz | 2.27 m / 7.4 ft | 1.59 Hz | Close spacing (<4%) |
(1, 1, 2) | Oblique | 153.4 Hz | 2.24 m / 7.3 ft | 1.99 Hz | Close spacing (<4%) |
(1, 3, 0) | Tangential | 155.9 Hz | 2.20 m / 7.2 ft | 2.44 Hz | Close spacing (<4%) |
(4, 1, 0) | Tangential | 156.0 Hz | 2.20 m / 7.2 ft | 0.16 Hz | Close spacing (<1.5 Hz) |
(2, 0, 2) | Tangential | 158.3 Hz | 2.17 m / 7.1 ft | 2.33 Hz | Close spacing (<4%) |
(4, 0, 1) | Tangential | 163.4 Hz | 2.10 m / 6.9 ft | 5.05 Hz | Close spacing (<4%) |
(3, 2, 1) | Oblique | 165.4 Hz | 2.08 m / 6.8 ft | 2.00 Hz | Close spacing (<4%) |
(2, 1, 2) | Oblique | 166.2 Hz | 2.07 m / 6.8 ft | 0.80 Hz | Close spacing (<1.5 Hz) |
(0, 3, 1) | Tangential | 166.8 Hz | 2.06 m / 6.7 ft | 0.64 Hz | Close spacing (<1.5 Hz) |
(2, 3, 0) | Tangential | 168.4 Hz | 2.04 m / 6.7 ft | 1.62 Hz | Close spacing (<4%) |
(1, 3, 1) | Oblique | 170.9 Hz | 2.01 m / 6.6 ft | 2.42 Hz | Close spacing (<4%) |
(4, 1, 1) | Oblique | 171.0 Hz | 2.01 m / 6.6 ft | 0.14 Hz | Close spacing (<1.5 Hz) |
(0, 2, 2) | Tangential | 172.7 Hz | 1.99 m / 6.5 ft | 1.66 Hz | Close spacing (<4%) |
(1, 2, 2) | Oblique | 176.6 Hz | 1.94 m / 6.4 ft | 3.90 Hz | Close spacing (<4%) |
(3, 0, 2) | Tangential | 178.6 Hz | 1.92 m / 6.3 ft | 1.99 Hz | Close spacing (<4%) |
(4, 2, 0) | Tangential | 178.8 Hz | 1.92 m / 6.3 ft | 0.28 Hz | Close spacing (<1.5 Hz) |
(2, 3, 1) | Oblique | 182.4 Hz | 1.88 m / 6.2 ft | 3.60 Hz | Close spacing (<4%) |
(5, 0, 0) | Axial | 184.5 Hz | 1.86 m / 6.1 ft | 2.09 Hz | Close spacing (<4%) |
(3, 1, 2) | Oblique | 185.6 Hz | 1.85 m / 6.1 ft | 1.03 Hz | Close spacing (<1.5 Hz) |
(3, 3, 0) | Tangential | 187.6 Hz | 1.83 m / 6.0 ft | 2.02 Hz | Close spacing (<4%) |
(2, 2, 2) | Oblique | 187.8 Hz | 1.83 m / 6.0 ft | 0.21 Hz | Close spacing (<1.5 Hz) |
(5, 1, 0) | Tangential | 191.3 Hz | 1.79 m / 5.9 ft | 3.52 Hz | Close spacing (<4%) |
(4, 2, 1) | Oblique | 192.1 Hz | 1.79 m / 5.9 ft | 0.76 Hz | Close spacing (<1.5 Hz) |
(5, 0, 1) | Tangential | 197.4 Hz | 1.74 m / 5.7 ft | 5.31 Hz | Close spacing (<4%) |
Reference scope: The historical ratio table summarizes literature-based design suggestions, not site-tested room outcomes. Wavelength columns are calculations at the stated sound speed. Mounting examples do not establish product absorption or a guaranteed bass improvement.
Literature Reference Table 1: Small-Room Dimension Ratios (Bolt, Sepmeyer & Louden)
When a room’s length, width, or height share integer multiples (most catastrophically a cube 1.00 : 1.00 : 1.00 or a double-cube 1.00 : 1.00 : 2.00), axial modes across all three axes pile onto the exact same frequencies (modal degeneracy). The ideal frequency equation alone does not determine the resulting peak level or decay. The static reference table below compiles the classic peer-reviewed room dimension ratios normalized to ceiling height (H = 1.00) alongside two common problematic residential ratios for comparison.
| Acoustic Ratio Standard / Author | Height : Width : Length (1 : W/H : L/H) | Example Metric Room (H = 2.50 m) | Example Imperial Room (H = 8.0 ft) | Fundamental Axial Modes (at H = 2.50 m) | Modal Distribution & Bonello Criterion Assessment |
|---|---|---|---|---|---|
| Louden (1971) Ratio #1 | 1.00 : 1.40 : 1.90 | 2.50 × 3.50 × 4.75 m (41.6 m³) | 8.0 × 11.2 × 15.2 ft | 36.1 / 49.0 / 68.6 Hz | Lowest standard deviation of inter-modal spacing across the first 64 modes; passes Bonello monotonically. |
| Sepmeyer (1965) Ratio A | 1.00 : 1.14 : 1.39 | 2.50 × 2.85 × 3.48 m (24.8 m³) | 8.0 × 9.1 × 11.1 ft | 49.3 / 60.2 / 68.6 Hz | Compact footprint ideal for small mixing/editing suites; avoids 2nd- and 3rd-order axial coincidences. |
| Sepmeyer (1965) Ratio B | 1.00 : 1.28 : 1.54 | 2.50 × 3.20 × 3.85 m (30.8 m³) | 8.0 × 10.2 × 12.3 ft | 44.5 / 53.6 / 68.6 Hz | Balanced medium control room ratio; sits cleanly inside Richard Bolt’s (1946) optimal design perimeter. |
| Sepmeyer (1965) Ratio C | 1.00 : 1.60 : 2.33 | 2.50 × 4.00 × 5.83 m (58.3 m³) | 8.0 × 12.8 × 18.6 ft | 29.4 / 42.9 / 68.6 Hz | Extended length pushes f(1,0,0) below 30 Hz and lowers Schroeder frequency below 155 Hz. |
| Golden Ratio (Fibonacci Approximation) | 1.00 : 1.62 : 2.62 | 2.50 × 4.05 × 6.55 m (66.3 m³) | 8.0 × 13.0 × 21.0 ft | 26.2 / 42.3 / 68.6 Hz | Irrational ratio φ = (1+√5)/2 prevents exact harmonic overlaps, though slightly elongated for narrow rooms. |
| Volkmann (1942) Classic 2:3:5 Power Ratio | 1.00 : 1.26 : 1.59 (1 : 2^(1/3) : 2^(2/3)) | 2.50 × 3.15 × 3.98 m (31.3 m³) | 8.0 × 10.1 × 12.7 ft | 43.1 / 54.4 / 68.6 Hz | Divides each octave into three equal one-third-octave logarithmic steps between axial fundamentals. |
| ITU-R BS.1116 Reference Listening Room | 1.00 : 1.48 : 2.12 | 2.80 × 4.14 × 5.94 m (68.9 m³) | 9.2 × 13.6 × 19.5 ft | 28.9 / 41.4 / 61.3 Hz | Complies with international broadcast critical-listening constraints (1.1·W/H ≤ L/H ≤ 4.5·W/H − 4). |
| ⚠️ Problematic Residential Spare Bedroom (10×12×8 ft) | 1.00 : 1.25 : 1.50 | 2.44 × 3.05 × 3.66 m (27.2 m³) | 8.0 × 10.0 × 12.0 ft | 46.9 / 56.2 / 70.3 Hz | Exact integer harmonics: f(3,0,0) = f(0,0,2) = 140.6 Hz and f(0,2,0) = 112.5 Hz; actual response and damping require measurement. |
| 🚫 Pathological Cube Room (10×10×10 ft) | 1.00 : 1.00 : 1.00 | 3.00 × 3.00 × 3.00 m (27.0 m³) | 10.0 × 10.0 × 10.0 ft | 57.2 / 57.2 / 57.2 Hz | Triple axial degeneracy at 57.2 Hz, 114.3 Hz, 171.5 Hz; fails Bonello criterion with severe modal ringing. |
Static Reference Table 2: Acoustic Wavelengths (λ), Half-Waves (λ/2), and Quarter-Wave Air Gaps (λ/4)
In dry air at 20 °C (68 °F), the speed of sound is c = 343.0 m/s (1125.3 ft/s). Every room-acoustics calculation—from the room dimension L = λ/2 that excites a fundamental axial mode, to the monitor-to-wall distance d = λ/4 that causes an SBIR cancellation notch, to the porous absorber thickness or air gap d_gap = λ/4 required to capture peak particle velocity—depends on the physical wavelength λ = c / f tabulated below:
Frequency f (Hz) | Full Wavelength λ = c/f | Half-Wave Axial Span λ/2 = c/(2f) | Quarter-Wave Peak Velocity / SBIR Null λ/4 = c/(4f) | Eighth-Wave Practical Porous Cutoff λ/8 = c/(8f) | Acoustical Sub-Band & Treatment Strategy |
|---|---|---|---|---|---|
30 Hz | 11.43 m (37.5 ft) | 5.72 m (18.8 ft) | 2.86 m (112.5 in) | 1.43 m (56.3 in) | Sub-bass: Helmholtz / limp-membrane traps or multi-sub DBA |
40 Hz | 8.58 m (28.1 ft) | 4.29 m (14.1 ft) | 2.14 m (84.4 in) | 1.07 m (42.2 in) | Fundamental length mode in typical domestic bedrooms |
50 Hz | 6.86 m (22.5 ft) | 3.43 m (11.3 ft) | 1.72 m (67.5 in) | 0.86 m (33.8 in) | Fundamental width mode; treat tri-corners & floor-wall junctions |
63 Hz | 5.44 m (17.9 ft) | 2.72 m (8.9 ft) | 1.36 m (53.6 in) | 0.68 m (26.8 in) | Fundamental ceiling-floor mode (2.4–2.7 m rooms); deep corner superchunks |
80 Hz | 4.29 m (14.1 ft) | 2.14 m (7.0 ft) | 1.07 m (42.2 in) | 0.54 m (21.1 in) | Upper bass crossover; 200 mm low-density mineral wool + 200 mm gap |
100 Hz | 3.43 m (11.3 ft) | 1.72 m (5.6 ft) | 0.86 m (33.8 in) | 0.43 m (16.9 in) | Primary SBIR danger zone (d = 0.86 m from front wall cancels 100 Hz) |
125 Hz | 2.74 m (9.0 ft) | 1.37 m (4.5 ft) | 0.69 m (27.0 in) | 0.34 m (13.5 in) | Common absorption reference band; panel and gap performance needs a matching report |
250 Hz | 1.37 m (4.5 ft) | 0.69 m (27.0 in) | 0.34 m (13.5 in) | 0.17 m (6.8 in) | Compare with the calculated crossover for your inputs; product absorption is not established by this wavelength |
500 Hz | 0.69 m (27.0 in) | 0.34 m (13.5 in) | 0.17 m (6.8 in) | 0.086 m (3.4 in) | Lower midrange specular reflection zone; 50–100 mm first-reflection panels |
1000 Hz | 0.34 m (13.5 in) | 0.17 m (6.8 in) | 0.086 m (3.4 in) | 0.043 m (1.7 in) | Specular ray regime; treat side-wall/ceiling mirror points & rear wall QRD |
The Wave Physics Equations Behind the Planner
In a rectangular enclosure bounded by six rigid reflective surfaces of length L, width W, and height H, the 3D Helmholtz wave equation (∇²p + k²p = 0) admits standing-wave solutions only when an integer number of half-wavelengths fit along each room axis (nx, ny, nz ∈ 0, 1, 2, 3...). This yields Lord Rayleigh’s 1896 Eigenfrequency Equation (derived in full in Axial, Tangential, and Oblique Room Modes: The Rayleigh Standing-Wave Equation):
Speed of Sound in Air as a Function of Temperature T (°C):
c = 331.3 × sqrt(1 + T ÷ 273.15) ≈ 331.3 + 0.606 × T [343.2 m/s at 20 °C using the square-root model]
3D Rayleigh Room Eigenfrequency Equation:
f(nx, ny, nz) = (c ÷ 2) × sqrt( (nx ÷ L)² + (ny ÷ W)² + (nz ÷ H)² )
Where:
• Axial Modes (1D): Only 1 index > 0 (e.g., (1,0,0)) — varies along one axis
• Tangential Modes (2D): Exactly 2 indices > 0 (e.g., (1,1,0)) — varies along two axes
• Oblique Modes (3D): All 3 indices > 0 (e.g., (1,1,1)) — varies along all three axes
Schroeder Modal Transition Frequency (1954 / 1996):
f_s = 2000 × sqrt( RT60 ÷ V_m3 ) [in Hz]
Front-Wall SBIR Quarter-Wave Approximation (normal path):
f_null(m) = (2m − 1) × c ÷ (4 × d_boundary) for m = 1, 2, 3...Once you know your room’s lowest axial modes and Schroeder frequency (see Schroeder Crossover Frequency), position your listening chair at Wes Lachot’s 38% front-wall offset (0.38 × L, avoiding the 50% length null of (1,0,0) and the 25% length null of (2,0,0) as explained in The 38% Listening Position Rule), flush-mount or push your monitors close to the front wall (d < 0.20 m) or pull them past 1.1 m with heavy front-wall trapping to avoid mid-bass SBIR dips (see Speaker-Boundary Interference Response (SBIR)), and select porous absorbers with matching gas flow resistivity from our 24-Material Octave-Band Absorption Coefficient & Air-Gap Matrix.